Madeline Collins (she/her) is a contemporary art writer, curator, and artist based in Toronto, Ontario. Her practices explore identity-making and world-building through Black diasporic theory, queer-of-colour imaginaries, and the visioning of "worlds otherwise." Her thesis research considered space and time as frameworks for the (un)making of Black diasporic identity. Her publications include the podcast Unboxing the Canon and articles in Journal of Curatorial Studies, Senses & Society, Economía Creativa, and RACAR. Curatorially, she is interested in work that overwhelms, winks, and shocks.

Madeline is a recent graduate from OCAD University, with an MA in Contemporary Art, Design, and New Media Histories. She currently works as a research assistant at the Centre for the Study of Black Canadian Diaspora and as editorial assistant at Studio Magazine.

Open to collaborations and commissions.